Japanese Literature

Online ISSN : 2424-1202
Print ISSN : 0386-9903

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Volume 33, Issue 7

Displaying 1-21 of 21 articles from this issue

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[title in Japanese]

Article type: Cover
1984 Volume 33 Issue 7 Pages Cover1-
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_Cover1

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[title in Japanese]

Article type: Cover
1984 Volume 33 Issue 7 Pages Cover2-
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_Cover2

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Meiji Gokan Literature and the New Poetry(<Feature Articles>"The Pre-Modern Period" and "The Modern Period")

Hideo Kamei

Article type: Article
1984 Volume 33 Issue 7 Pages 1-8
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_1

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As the modern system of law was introduced in Meiji Era, the simple connection of evil and crime did not hold true any longer. It seems to me that people, bewildered by this shift in values, eventually wrote quite a few "Gokan novels." When we study, from this point of view, Shintaishi-sen (a Selection of New Poetry) by Yamada Mimyo and Soshu-no-Shi by Kitamura Tokoku, we find situations and expressions in common with the Gokan Literature. I've discussed the relationships between the Gokan novels and modern novels through the changes in the works of Shintai-Shi.

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The Aspects of Kinsei Poetry : Tachibana Akemi and His Nationalism(<Feature Articles>"The Pre-Modern Period" and "The Modern Period")

Takahito Momokawa

Article type: Article
1984 Volume 33 Issue 7 Pages 9-19
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_9

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The literary concept of "nature"through "kinsei" to "kindai" is closely associated with the Emperor system of Japan. I've discussed the concept of "nature" in these periods by focusing upon Tachibana Akemi, an imperialist poet of the late " kinsei The characteristic of Akemi's world is that it contains both public and personal aspects at the same time. He relies more upon phonologism than upon meaning to express the two aspects of his world, the gap of which he tries very hard to fill up. And it somehow includes his nationalism, which, in my opinion, is caused by his concept of "nature".

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A Study on Encho's Literature(<Feature Articles>"The Pre-Modern Period" and "The Modern Period")

Sumio Rimbara

Article type: Article
1984 Volume 33 Issue 7 Pages 20-27
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_20

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Encho's narratives, recorded with the newly developed stenography, were highly appreciated as the literature which united the written and spoken language. These narratives became a criterion for the literary men of the modern period. Encho, however, was not the first to achieve this unity of the written and spoken language. There were some other attempts made in those days. The questions then are: why Encho's attempt became the criterion, how it differs from the others, and what are the merits and demerits of using it as a criterion. I've discussed Encho's unification of written and spoken language and its limitations, refering to "the Refined Tokyo Dialect," and analyzed it in connection with Ukigumo (Floating Clouds) by Futabatei Shimei. Shimei must have had various restrictions in taking after the unification of written and spoken language of Encho's, which I also have discussed in this report.

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"Kinsei"(Edo Period) and "Kindai"(Meiji Period) in Ryokuu(<Feature Articles>"The Pre-Modern Period" and "The Modern Period")

Kazuo Tsukagosni

Article type: Article
1984 Volume 33 Issue 7 Pages 28-36
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_28

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Ryokuu is a writer of the old style who belonged to the Kanagaki School and is said to have criticized "kindai", using "Edo" as a criterion. This judgement is not completely unfair. But when we make more detailed studies we find out that he didn't necessarily criticize " kindainor regarded "Edo" as absolute. He seems to have considered both "kinsei" and kindai" as periods of transition. Ryokuu is unique because he was confident of having an aesthetic sense of his own apart from the old concepts of the "kinsei" and "kindai".

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A Preparatory Consideration of the Aspect Study of the Expressions in the Nineteenth Century : The Reprospective View from the Stage of Yanagibashi Shinshi(<Feature Articles>"The Pre-Modern Period" and "The Modern Period")

Kesao Okada

Article type: Article
1984 Volume 33 Issue 7 Pages 37-46
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_37

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When we try to see the shifting point from "kinsei" to "kindai" in terms of the " ecritureit can hardly be said that it is in 1868 (the year of the Restoration). Rather, the qualities of "ecriture" in these two literary periods seem to differ very little, especially when we see them through the histories of the studies of Dutch and the Chinese languages. I've discussed the meaning of this in relation to the state of affairs of the nineteenth century and Yanagibashi Shinsi as an intermediary.

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Styles in Modern Novels-Preface : "Time" of Novels and the Classic Style, or a Reading of the Restoration of Sensitivity by Kamei Hideo(<Feature Articles>"The Pre-Modern Period" and "The Modern Period")

Kuniaki Mitani

Article type: Article
1984 Volume 33 Issue 7 Pages 47-56
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_47

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Past tense is almost always used in the prose. Futabatei Shimei nearly established, after many difficulties, the use of statements which end with "-ta"as he wrote Ukigumo, hoping to unite the written and spoken language. The novels written in this style, however, expressed only a simple time aspect. Unsatisfied with this, Ogai wrote Maihime in the classic style on the purpose of giving the work a pluralistic time aspect. I've discussed the relationships between the "ta-style" and the authors who used it, and the classic style which other writers used to resist the formers, by analyzing the texts of Ukigumo and Maihime.

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[title in Japanese]

Article type: Appendix
1984 Volume 33 Issue 7 Pages 57-
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_57_1

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[title in Japanese]

Article type: Appendix
1984 Volume 33 Issue 7 Pages 57-
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_57_2

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A Consideration on Sanshiro by Natsume Soseki

Mieko Suemori

Article type: Article
1984 Volume 33 Issue 7 Pages 60-68
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_60

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I've considered the repeated encounters of Mineko and Sanshiro in connection with a mirror. These two characters meet through their reflections in the water, in the mirror and in the portrait. A mirror is not only a tool but also something which has elements of ancient and magical power. The mirrors also play important roles in Soseki's other works such as Kusamakura, Yumejuya and Meian. Mineko is a woman whom Soseki created out of his dreams. He attempted to look into the depths of women's psychology by using the mirror as a medium.

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The Bell in Towazugatari(A Reading)

Tsutomu Kusaka

Article type: Article
1984 Volume 33 Issue 7 Pages 69-73
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_69

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A Study on the Styles in the Heian Literature by Yamaguchi Nakami

Atsuko Amiya

Article type: Article
1984 Volume 33 Issue 7 Pages 74-75
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_74

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Uchida Hyakken Study by Kawamura Jiro

Hideyuki Sakai

Article type: Article
1984 Volume 33 Issue 7 Pages 76-77
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_76

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History of the Japanese Literature (Kindai & Gendai) by Donald Keene

Toshio Hiraoka

Article type: Article
1984 Volume 33 Issue 7 Pages 78-80
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_78

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[title in Japanese]

Article type: Bibliography
1984 Volume 33 Issue 7 Pages 81-82
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_81

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[title in Japanese]

Article type: Bibliography
1984 Volume 33 Issue 7 Pages 162-
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_162

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[title in Japanese]

Article type: Bibliography
1984 Volume 33 Issue 7 Pages 86-84
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_86

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[title in Japanese]

Article type: Appendix
1984 Volume 33 Issue 7 Pages App1-
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_App1

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[title in Japanese]

Article type: Appendix
1984 Volume 33 Issue 7 Pages App2-
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_App2

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[title in Japanese]

Article type: Cover
1984 Volume 33 Issue 7 Pages Cover3-
Published: July 10, 1984
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.33.7_Cover3

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