Japanese Literature

Online ISSN : 2424-1202
Print ISSN : 0386-9903

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Volume 34, Issue 11

Displaying 1-23 of 23 articles from this issue

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[title in Japanese]

Article type: Cover
1985 Volume 34 Issue 11 Pages Cover1-
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_Cover1

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[title in Japanese]

Article type: Cover
1985 Volume 34 Issue 11 Pages Cover2-
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_Cover2

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A Study of "Post-Aoneko Poems"by Hagiwara Sakutaro : Baced on the Visionary Scenerie(<Feature Articles>Modern Poetry and the Occasion of Poetical Expressions)

Yasuhiko Ando

Article type: Article
1985 Volume 34 Issue 11 Pages 1-11
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_1

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"Post-Aoneko Poems", a group of poems written by Sakutaro, is worth studying as a collection of poems because of its outstanding features. "Post-Aoneko Poems" can be divided in two parts: the former period and the latter period. Both of the parts consist of the poems based on Sakutaro's childhood visions of a panoramic house. These sceneries are turned into works of reality through his consciousness and then made into poems. There lies the unique world of "Post-Aoneko Poems." His realistic consciousness is strongly presented in the latter half of the period by using the first person style such as "Watashi" or "Ore".

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A View from "Night Train" : Hagiwara Sakutaro and the Space of his Feelings(<Feature Articles>Modern Poetry and the Occasion of Poetical Expressions)

Seori Takahashi

Article type: Article
1985 Volume 34 Issue 11 Pages 12-22
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_12

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The image of "Train Window" is frequently used by Sakutaro, because he thinks it is structurally similar to a camera, a device which makes people conscious of watching things. By regarding his "train window" as a topology of the space of his feelings where his attitude of writing and choice of words are decided and his imagery is fixed, Sakutaro's "Night Train", his maiden effort, is here evaluated. Glass, the material which encloses the subject of the conscious, and its permeation into the body, are also discussed. The poetical image of "sharing a seat" is associated with the feeling of liberty one has when he entrusts himself on a vehicle and shares his observations with someone else.

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A Study of the Collection of Excellent Love Poems(<Feature Articles>Modern Poetry and the Occasion of Poetical Expressions)

Toshigaru Hirata

Article type: Article
1985 Volume 34 Issue 11 Pages 23-32
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_23

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In comparison with his poetical works and his criticisms of poems, few people have studied Sakutaro's tanka poems. In part we are responsible for this because we have always considered him a rare poet who writes colloquial free verse.I discuss the aspects of the " Shinkokin-Shu Part" in his Collection of Excellent Love Poems. In his criticism also appears the theme of "melancholy", which is considered to be poetical images in Aoneko (a blue cat). He finds an excellent harmoney of technique and poetical image in the waka poem of Princess Shiki- shi's, but he seems to have failed in accomplishing this harmony in his own poems in Hyoto (an Island of Ice).

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An Essay on the Plot of Second Volume of Spring and Shura by Miyazawa Kenji(<Feature Articles>Modern Poetry and the Occasion of Poetical Expressions)

Sugiura

Article type: Article
1985 Volume 34 Issue 11 Pages 33-43
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_33

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Spring and Shura Vol. II, a collection of poems by Miyazawa Kenji, was not published until after his death. Even the selection of the poems for the collection hadn't been decided upon. In the several editions of his complete works, the poems written during the period which Kenji himself designated have been called the poems of Spring and Shura Vol. II. This is why they are considered to be poems of the transition stage. By attempting to reorganize the project he conceived in the summer of the third year of Showa when he wrote the preface of the collection, I maintain that he was thinking of "the sketches of natre" as his theme.

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The Process of Establishment of Modernism Poetry(<Feature Articles>Modern Poetry and the Occasion of Poetical Expressions)

Masahiro Sawa

Article type: Article
1985 Volume 34 Issue 11 Pages 44-54
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_44

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The Modernism Poetry, which flourishes during the period between late Taisho and early Showa, comes to exist when the social and realistic consciousness (such as one's ego) and musical aspect of language are denied and the structural part of a poem is emphasized. The works of Modernism Poetry range from those which are based on interdependence with realities to those of surrealism those grasp realities as conceptual matters. It must not be overlooked that many of these works show the influences of Kantianism and Buddhism.

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[title in Japanese]

Article type: Appendix
1985 Volume 34 Issue 11 Pages 55-
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_55_1

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[title in Japanese]

Article type: Appendix
1985 Volume 34 Issue 11 Pages 55-
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_55_2

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Ito Shizuo's Poetry in his Early Stage : The Method of Irony(<Feature Articles>Modern Poetry and the Occasion of Poetical Expressions)

Takashi Nagano

Article type: Article
1985 Volume 34 Issue 11 Pages 56-65
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_56

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Ito Shizuo is not so much a writer who attempted to write poems as a writer who tried very hard to be a "poet". In other words, he tried to metaphorically describe himself as a "poet". However, his fear that his usage of metaphor would be taken as disguise allowed him to create a method by which he gave an ironical description of himself. By pretending to be a victim, he conceales the true realities. He expects the organization of heteronomous frameworks of false realities to resemble the true ones.

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Thoughts on the Hundredth Anniversary of the Birth of Lukacs(Meridian Column)

Hiroshi Fukae

Article type: Article
1985 Volume 34 Issue 11 Pages 66-67
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_66

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The "Kotai" Style of Heike Monogatari

Koichi Hayakawa

Article type: Article
1985 Volume 34 Issue 11 Pages 68-77
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_68

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I discuss the "Kotai" style in the texts of "Shibu-Hon" and "Enkyou-Bon" in search of the original style of Heike Monogatari. The fact that these texts are not old in their establishment is recognized because the "Shibu-Hon" text has many expressions influenced by the revised texts, such as, the contemporary usage of words and curtailment found mainly in the "Kakuitsu-Bon" text. The "Enkyou-Bon" text includes many setsuwa narratives which are the characteristics of "Kohon" texts. Yet these texts are worth studying for the purpose of pursu- ing the original style of Heike. Especially in "Shibu-Hon" text we find many of the expressions in the "Kotai" style.

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Arishima Takeo and Hirotsu Kazuo : So-called "Confined Way of Thinking"(A Reading)

Shunji Atsunobu

Article type: Article
1985 Volume 34 Issue 11 Pages 78-81
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_78

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A Study of the History of Public Entertainment in Muromachi Period by Tokue Motomasa

Shigeru Araki

Article type: Article
1985 Volume 34 Issue 11 Pages 82-85
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_82

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A Study of Ishikawa Masamochi by Kasuya Hiroki

Atsunobu Inada

Article type: Article
1985 Volume 34 Issue 11 Pages 85-86
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_85

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[title in Japanese]

Article type: Bibliography
1985 Volume 34 Issue 11 Pages 87-88
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_87

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[title in Japanese]

Article type: Appendix
1985 Volume 34 Issue 11 Pages 89-
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_89

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[title in Japanese]

Article type: Appendix
1985 Volume 34 Issue 11 Pages 90-91
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_90

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[title in Japanese]

Article type: Bibliography
1985 Volume 34 Issue 11 Pages 94-92
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_94

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[title in Japanese]

Article type: Appendix
1985 Volume 34 Issue 11 Pages 95-
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_95_1

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[title in Japanese]

Article type: Appendix
1985 Volume 34 Issue 11 Pages 95-
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_95_2

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[title in Japanese]

Article type: Appendix
1985 Volume 34 Issue 11 Pages App1-
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_App1

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[title in Japanese]

Article type: Cover
1985 Volume 34 Issue 11 Pages Cover3-
Published: November 10, 1985
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.34.11_Cover3

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