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Article type: Cover
1989 Volume 38 Issue 6 Pages
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Article type: Cover
1989 Volume 38 Issue 6 Pages
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Kakumyo Kanno
Article type: Article
1989 Volume 38 Issue 6 Pages
1-11
Published: June 10, 1989
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A work of Yokyoku titled "Aridoshi" has the theme of the virtue of poetry. The concept of the virtue of poetry and how it is expressed are considered. The virtue of poetry is the deep impression given by the Uta poems. First, I attempt to analyze what the Noh-dramatists considered the virtue of poetry and how they used it as a theme, referring to its relationships with Nogaku study. The essence of the deities who are touched and the mechanism of Uta poems in "Aridoshi" which causes the deities to be deeply impressed are analyzed as well. An approach toward the essence of the artistic expression is attempted through the pursuit of the theme of the work.
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Yuri Yamaki
Article type: Article
1989 Volume 38 Issue 6 Pages
12-20
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In this work, the figure of a woman who used to be a beauty but is now in reduced circumstances, is created as the eternal symbol of the spirit of poetry. Komachi (the woman) longs for the extreme luxury of her by gone days, which she holds inside her one hundred year old mind. These sentiments are sublimated into "Uta" and "Mai"(poetry and dance). In my opinion, this inspired Zeami to form the idea of "Shioretaru-hana" (faded flower) as the ultimate beauty of "Futei"(some aspects of art named by Zeami), and the idea of "Roboku-no-hana"(blossoms of the old tree) as the ultimate beauty of dance. The spirit of poetry enables Zeami to discover the stylized beauty with the idea and structure to unite the two characteristics of longing for the memories and celebration, which are really two conflicting ideas. Thus Zeami completed his idea of "aesthetics of the old age."
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Kichijiro Ishiguro
Article type: Article
1989 Volume 38 Issue 6 Pages
21-29
Published: June 10, 1989
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"Kinuta" is one of the works in which Zeami feels confident, and he describes it in Sarugaku-Dangi, as a work with "Mujo-Mumi-nominaru-tokoro." In "Kinuta", in spite of its pursuit for the ultimate state of beauty, materials from ordinary people are used and its theme is also from the story of the life and feelings of townspeople. The complicated stratum of this Noh-geki is explained in terms of its materials and structure. A consideration is made on what Zeami pursued in creating "Kinuta", his thoughts and his expressions about human beings, in order to illustrate his personality.
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Akio Torii
Article type: Article
1989 Volume 38 Issue 6 Pages
30-40
Published: June 10, 1989
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The conflict between Minamoto-no-Toru and Uda-In about construction and heritage of Kawara-In, the place of drifting and love for the area, was already formed into a work of setsuwa narrative as "Kaiitan" (mystery) dealing with Royal Right Ideology. This Toru legend in the Dynasty period is inherited in the Middle Ages by Zeami. He develops the new aspects of this theme and writes "Toru." In "Toru", Zeami, by describing Ashikaga Yoshimitsu's desire to monopolize every example of aesthetism, using Kawara-In as a means, illustrates his situation as a Sarugaku-artist at the service of Yoshimitsu.
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Tamotsu Matsuda
Article type: Article
1989 Volume 38 Issue 6 Pages
41-50
Published: June 10, 1989
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"Kuzu" is a peculiar work of Yokyoku, whose theme is the biggest battle in the ancient period (672) over the right of succession to the the throne. A consideration is made of how the Battle of Jinshin is described in the Noh-geki, by referring to the things about Yoshino, the place of the drama, the historical realities (in Nihonshoki), other literary works (war-chronicles and setsuwa narratives), and other similar works of Noh-geki.
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Itaru Nakamura
Article type: Article
1989 Volume 38 Issue 6 Pages
51-60
Published: June 10, 1989
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Judging from its texts, "Kashiwazaki" is estimated to be a Noh-geki closely related with the Zenkoji worship which was popular from the end of the Kamakura Era to the beginning of the Muromachi Era, though the source is not clear. However, as for Hanawaka and his mother, who leave secular life and enter Zenkoji, there seems to have been models in "Do-ei-Zakki." The fact that Nyoraido became open for women to worship is also found in the documents concerning Zenkoji. In both sources, the Jishu-religion is involved to a great extent. Those days Kashiwazaki area was also one of the footholds of Jishu-religion activities in Echigo.
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Hiroyuki Ito
Article type: Article
1989 Volume 38 Issue 6 Pages
61-66
Published: June 10, 1989
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The conflicting human relationships between people restricted in social systems and orders (senses of ethics, value, and customs) are usually presented in dramas as the object within the conventions of this world. Noh-geki, however, are not supposed to do this. Though a tentative time and place are given to the event-the material of the drama-they are not the time and place which exist "historically" or "realistically," but are the metaphor to produce the time and place called "present" which continues to exist in the non-historical "timeand place of tradition." The method and the meaning of the metaphor in the Noh-geki are discussed.
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Yoshiro Sakurai
Article type: Article
1989 Volume 38 Issue 6 Pages
68-70
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Article type: Appendix
1989 Volume 38 Issue 6 Pages
71-
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Article type: Appendix
1989 Volume 38 Issue 6 Pages
71-
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Article type: Appendix
1989 Volume 38 Issue 6 Pages
77-
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Article type: Appendix
1989 Volume 38 Issue 6 Pages
77-
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Etsuo Adachi
Article type: Article
1989 Volume 38 Issue 6 Pages
78-79
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Toshiaki Yoneda
Article type: Article
1989 Volume 38 Issue 6 Pages
80-84
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
85-
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
85-
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
85-86
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
86-
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
86-
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
87-
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
87-
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
87-
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
87-88
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
88-
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
88-
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
88-89
Published: June 10, 1989
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
89-
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[in Japanese]
Article type: Article
1989 Volume 38 Issue 6 Pages
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Article type: Bibliography
1989 Volume 38 Issue 6 Pages
90-91
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Article type: Appendix
1989 Volume 38 Issue 6 Pages
92-
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Article type: Bibliography
1989 Volume 38 Issue 6 Pages
95-93
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Article type: Appendix
1989 Volume 38 Issue 6 Pages
96-
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Article type: Appendix
1989 Volume 38 Issue 6 Pages
96-
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Article type: Appendix
1989 Volume 38 Issue 6 Pages
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Article type: Cover
1989 Volume 38 Issue 6 Pages
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