Japanese Literature

Online ISSN : 2424-1202
Print ISSN : 0386-9903

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Volume 39, Issue 2

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[title in Japanese]

Article type: Cover
1990 Volume 39 Issue 2 Pages Cover1-
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_Cover1

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[title in Japanese]

Article type: Cover
1990 Volume 39 Issue 2 Pages Cover2-
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_Cover2

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The Name of KAMI and the Simile of Non-existence : To Exceed the Level of Symbol

Tsutomu Saijo

Article type: Article
1990 Volume 39 Issue 2 Pages 1-13
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_1

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KAMI consists of the ideas of "invisibleness (KA)" and "living things(MI)", which symbolize "the non-existence in seeing." In the background of this idea, the direct contact with the world which is realized just before the things can be seen. The meaning structure of KAMI, in itself, equals the identification of symbol and name. The name of KAMI is created by the system of simile in which a word creates another word and forms the premise of all symbol-like things.

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The Narratives of the Okina-Ona in the Medieval Setswa Literature : The Morals of Monourayami(Envy)

Koji Sasaki

Article type: Article
1990 Volume 39 Issue 2 Pages 14-22
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_14

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From the early stage of medieval setsuwa literature, the morals of monourayami begin to appear, added to the "tonari-no-jii"(the old man next door) type narratives which are written in typical Okina-Ona style. One of the reasons is that the dual-contrastive structure used in the "modoki" performance of the Shinto ritual entertainment made it easy to introduce such a moral into setsuwa narratives. However, the more important thing is that the moral itself is based mainly on Bukkyo (the Buddhism teachings). Also, this moral is closely related to the personalities of the people who maintained and handed it down orally such as "fushuku"(people in the service of shrine) and " yugyo-shodo-sha"(traveling narrators). Gradually this moral teaching has taken on the tendency of entertainment.

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Yanagida Kunio in his Twenties : Expectation of Exploring Folklore

Tsuneo Soma

Article type: Article
1990 Volume 39 Issue 2 Pages 23-35
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_23

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In his twenties, Yanagida Kunio kept suffering a restlessness of "existence." To overcome this restlessness, he attempted to approach Christianity and Zen-Syu (Zen-teachings) and so on, but he could not find an exit from his restlessness, until he finally established his identity by pursuing folklore at the age of thirty. Studying the process of Kunio's mind in this pursuit will show many ideas worth contemplating - his sympathy toward people who are outside or anonymous; his deep concern of the next world, found in his reading attitude of Turgenev and Kyoka; his unique way of appreciating Heine's works of prose represented by Rukei-no-Kamigami(the Exiled Deities).

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Kenji vs. Kenji : The Aspect of the Parenthetical Expressions

Fumiyuki Okuyama

Article type: Article
1990 Volume 39 Issue 2 Pages 36-47
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_36

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The parenthetical expressions used in Kenji's poems seize the many-sidedness of the consciousness that happen simultaneously, and as a result, they enable the "unconscious three-dimentional descriptions." By giving the title of "Kenjivs. Kenji," I attempt to pursue the core of the polyphonic confrontation or multi-contrastive ideas at the place of creation of the poetical expressions as follows: the speaker and the writer (or the pronunciation and writing), and poetical reality 1 and poetical reality 2 (confronting poetical reality 1). At the center of the concept, there are conflicts between the author and the narrator, and beween narrator 1 and narrator 2 which are suggested by thediscontinuous expressions in the parentheses. In this essay, Kussetsu-ritsu(an index of refraction) in the center, the montage of collision which is made clear by the parenthetical expressions, is pursued.

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A Study of Ito Hiromi (Part II) : The Territory Ron 1 (1)

Hideto Tsuboi

Article type: Article
1990 Volume 39 Issue 2 Pages 48-57
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_48

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Territory Ron 1, a collection of poems, is based on the competition of the two territories: Ito Hiromi's poems and Araki Nobuyoshi's photos. Especially atthe beginning of the collection, there are several poems such as Sentensei(Inherence) and Triptych which prove that Ito's poems are closely associated with Araki's way of expressions in photos, and she is inspired by Araki's photos. That "Father" is used as an important motif also goes side by side with Araki. However, when the "Father" stops being the protagonist, Hiromi, beginning to realize the unnatural nature of being associated with the photos, aims for independence in the realm of words, and tries to have dialogues with the photos.

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Literature Education and Fiction

Tsuneyoshi Goto

Article type: Article
1990 Volume 39 Issue 2 Pages 58-68
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_58

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I discuss the creative writing and reading processes from a phenomenological point of view, and attempt a theoretical explanation of the basis on which literature education is established. In other words, creative writing and reading exist where continuous effort is made in establishing and enriching one's, other's and the world's egos in the midst of the reversible crossing of tangibleness and subconsciousness of one's and other's personalities. Fiction is a device inevitably required as a mediation of the dynamic movement of the mind to make thiseffort.

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Complicity and Antagonist(Meridian Column)

Akio Torii

Article type: Article
1990 Volume 39 Issue 2 Pages 70-71
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_70

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Komachi's Uta of Ama : A Consideration on its Origin(A Reading)

Tadao Akegawa

Article type: Article
1990 Volume 39 Issue 2 Pages 72-77
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_72

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The Personal Review on Tamai Takayuki's The Passage to Soseki Study

Toshiaki Yoneda

Article type: Article
1990 Volume 39 Issue 2 Pages 78-80
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_78

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[title in Japanese]

Article type: Appendix
1990 Volume 39 Issue 2 Pages 81-
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_81_1

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[title in Japanese]

Article type: Appendix
1990 Volume 39 Issue 2 Pages 81-
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_81_2

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[title in Japanese]

Article type: Bibliography
1990 Volume 39 Issue 2 Pages 82-83
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_82

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[title in Japanese]

Article type: Bibliography
1990 Volume 39 Issue 2 Pages 86-84
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_86

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[title in Japanese]

Article type: Appendix
1990 Volume 39 Issue 2 Pages 87-
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_87_1

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[title in Japanese]

Article type: Appendix
1990 Volume 39 Issue 2 Pages 87-
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_87_2

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[title in Japanese]

Article type: Appendix
1990 Volume 39 Issue 2 Pages 88-
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_88_1

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[title in Japanese]

Article type: Appendix
1990 Volume 39 Issue 2 Pages 88-
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_88_2

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[title in Japanese]

Article type: Appendix
1990 Volume 39 Issue 2 Pages App1-
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_App1

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[title in Japanese]

Article type: Cover
1990 Volume 39 Issue 2 Pages Cover3-
Published: February 10, 1990
Released on J-STAGE: August 01, 2017

DOIhttps://njjn-jsjc-gov-cn-s-1416.res.gxlib.org.cn:443/rwt/1416/https/MSYXTLUQPJUB/10.20620/nihonbungaku.39.2_Cover3

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