On the 5th of May in the 15th year of Tenpyo, the heir apparent Princess Abe danced the special festival number Gosechi at the party in the inner palace, in front of the audience consisting of lords. This event will be interpreted, in this paper, as a site, at which not only the significances of dancing in the court but the bases for the "sacredness" of the emperor and his sons and daughters were deliber ately rearranged for the purpose of constructing the new image of the "ancient." The "myth," constructed on this occasion, was too heterogenous to be included in the accounts of the origin of Gosechi no Mai after the Heian Period. Nevertheless, this kind of anomaly was frequently allowed to emerge at the 8th-century court, amid the competition of heterogeneous expressions. I suspect that what had been suppressed from the end of the 8th century to the early Heian Period was the fact, as it is apparent to the later view, that the court itself functioned as a site of competition that allowed heretical expressions or acts to be demonstrated.
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