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Article type: Cover
2006 Volume 55 Issue 7 Pages
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Article type: Cover
2006 Volume 55 Issue 7 Pages
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
1-
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Aya Nakamura
Article type: Article
2006 Volume 55 Issue 7 Pages
2-11
Published: July 10, 2006
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Kenreimon-In-Uky ti-Daibu-shu is a collection of poems by the court woman who lived in and witnessed the social upheaval of the late twelfth century. It vividly represents the way she perceived the turbulent period. In editing her own poems, UkyO-Daibu annotated them or added new ones so that she could make more explicit her sense of social crisis. In so doing, she described the state of her own consciousness changed through numerous indescribable experiences and at the same time tried to preserve the memories of the happier days which she had shared with her dead friends.
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Akiko Kojima
Article type: Article
2006 Volume 55 Issue 7 Pages
12-21
Published: July 10, 2006
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In Wagami-ni-tadoru-himegimi, the author describes an ideal society well governed by the Empress Kinjo-Tei. Although the ideal state may be regarded as a product of utopian imagination, its political measures correspond in many senses to those actually taken by Kujo-Kanezane in the early Kamakura Period. The blueprint of a new society Kanezane draw with his brother - the eradication of political factions, the establishment of a coalition administration by the Emperor and the Fujiwara Family, and so on - was realized in the story. As will be shown in this article, both the political reform and the utopian story reflect the age of crisis when the imperial and regent regime was in danger of being undermined by the new power of samurai warriors.
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Tomoko Ueki
Article type: Article
2006 Volume 55 Issue 7 Pages
22-32
Published: July 10, 2006
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The ex-Emperor Goshirakawa was greatly interested in imayo songs. His passion for the popular songs of the Heian Period ultimately led to the publication of Ryojin-hishei -koden-sha. In editing the anthology, the ex-emperor always thought it his utmost duty to preserve the oral tradition of imayo songs in written form, for it was then in danger of extinction . Thus he not only made a canonical collection of the standard songs but also stressed the importance of the art through the making of its mythological genealogy and the demonstration of its miraculous power.
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Miyoko Iwasa
Article type: Article
2006 Volume 55 Issue 7 Pages
33-42
Published: July 10, 2006
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Takemuki-ga-ki, a diary by Saionji-Kinmune's wife Hino-Meishi, is the record of a woman who endured three-fold hardship - marital, domestic, and social - at the male-centered society of the age. Hino was a "good housewife" who managed her husband's family after his death, but she also energetically pursued her religious career which she chose of her own will. It means she was a woman in a transitional period between medieval times when women were relatively independent and modern times when they were economically dependent as housewife. In this sense, the diary is first-rate material for the historical study of women's social positions.
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Toyoo Ogawa
Article type: Article
2006 Volume 55 Issue 7 Pages
43-55
Published: July 10, 2006
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It is well known that the Mongolian attack caused a widespread social panic in the thirteenth century, but it seems to be little known how much it affected and changed the epistemological base of the age. One of the symptoms indicating such a shift is a sudden proliferation of discourses on a transcendent being like the "God who created the three worlds." For instance, Kitabatake-Chikafusa, the Shintoistic historian of the Ise Shrine sect, began his national history finno-shoto-ki with the creation of the country by the god Kuni-no-Tokotachi-no-Kami. The aim of this article is to analyze the way a discursive and epistemological gap was determined by the sense of crisis.
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Yasuaki Matsubayashi
Article type: Article
2006 Volume 55 Issue 7 Pages
56-64
Published: July 10, 2006
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There are not a few war narratives called "dairy," and the word is often found even in narratives not so entitled. Indeed, in the critical period of civil wars, a dairy was usually kept not only in a battlefield but also in the middle of the siege of a castle or just in the fall of it. The diary saved from the fallen castle was later used as material for recording the history of the ruined family in a war narrative. Here I will consider the role of dairies in wartime. While reading Momii-ke-nikki, a war narrative about the fall of the Hatano Family, I will also think what writing at such a critical moment was like.
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
65-
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Kozo Nishida
Article type: Article
2006 Volume 55 Issue 7 Pages
66-67
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Takashige Ubukata
Article type: Article
2006 Volume 55 Issue 7 Pages
68-71
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Yoichiro Yanagida
Article type: Article
2006 Volume 55 Issue 7 Pages
72-73
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Kazumoto Nakamura
Article type: Article
2006 Volume 55 Issue 7 Pages
74-76
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
77-
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
77-
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
78-79
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Article type: Bibliography
2006 Volume 55 Issue 7 Pages
80-81
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Article type: Bibliography
2006 Volume 55 Issue 7 Pages
83-82
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
84-
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
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Article type: Appendix
2006 Volume 55 Issue 7 Pages
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Article type: Cover
2006 Volume 55 Issue 7 Pages
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Published: July 10, 2006
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