Now it is often pointed out that, after the “Wakana” Part of Genji-monogatari, Hikaru-Genji comes to be treated more objectively and his character increasingly becomes dwarfed. There is, however, more than one interpretation concerning how the hero is de-idolized. Thus in this article I will show the advantage and disadvantage of this way of reading, mainly considering a peculiar appellation of Hikaru-Genji in the “Wakana” Part, the divine words that are woven into the tale of Kashiwagi, and the role of Murasaki-no-Ue. In so doing, I will also make clear the effects of such a thematic change on the latter half of the story